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Vous avez sélectionné:
Pretty When You Cry
Partitions à imprimer
11 partitions trouvées
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Pretty When You Cry by Lana Del Rey - Piano/Vocal/Guitar
Piano, Voix et Guitare
Performed by: Lana Del Rey: Pretty When You Cry Digital Sheetmusic plus an interactive, do…
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Performed by: Lana Del Rey: Pretty When You Cry Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 4 pages -- Adult Alternative~~Alternative Pop/Rock~~Pop Rock
$5.50
5.13 €
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Piano, Voix et Guitare
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Lana Del Rey
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Piano/Vocal/Guitar
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Musicnotes
Pretty When You Cry
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1142424 By Lana Del Rey. By …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1142424 By Lana Del Rey. By Blake Stranathan and Elizabeth Grant. Arranged by Samira Costa. Folk,Pop,Rock. Score. 4 pages. Samira Costa #742795. Published by Samira Costa (A0.1142424). Sheet Music for piano and voice With Lyrics.
$9.00
8.4 €
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Piano, Voix
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Lana Del Rey
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Samira Costa
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Pretty When You Cry
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Samira Costa
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SheetMusicPlus
All the Pretty Little Horses ~ Late Intermediate Piano Solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1032492 Composed by Traditional Lul…
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Piano Solo - Level 4 - Digital Download SKU: A0.1032492 Composed by Traditional Lullaby. Arranged by Leah Bertram. Children,Concert,Folk,New Age. Score. 6 pages. Leah Lynn Bertram #4882989. Published by Leah Lynn Bertram (A0.1032492). A fresh take on a lovely, traditional lullaby. This late intermediate piano solo begins simply, with a beautiful left hand cross-over that is echoed throughout the piece. With each verse, the song builds in intensity and provides ample opportunity for you or your late intermediate piano students to be expressive with the flowing melody and harmony lines.The origin of this lullaby is not fully known, but is thought to be of African-American origin. The most popular set of lyrics are:Hush-a-bye, Don't you cryGo to sleep, my little babyWhen you wake, you shall haveAll the pretty little horsesDapples and grays, blacks and baysAll the pretty little horses
$4.99
4.66 €
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Piano seul
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Traditional Lullaby
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Leah Bertram
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All the Pretty Little Horses ~ Late Intermediate Piano Solo
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Leah Lynn Bertram
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SheetMusicPlus
Golden Slumbers
Chorale SATB
SATB choir, Piano - Digital Download SKU: LX.15-3729H Composed by Mark Burrows. Oct…
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SATB choir, Piano - Digital Download SKU: LX.15-3729H Composed by Mark Burrows. Octavo. 12 pages. Heritage Music Press #e15/3729H. Published by Heritage Music Press (LX.15-3729H). ISBN 9780787769871.Sung from the perspective of a parent or loved one to their young charge, this intimate expression of caring will be a charming addition to your concert programs. Mark Burrows combined a simple, sweet melody with embracing harmonies to create a beautiful choral presentation. Golden slumbers kiss your eyes, smiles await you when you rise; sleep, pretty darling and do not cry, and I will sing you a lullaby..
$2.50
2.33 €
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Chorale SATB
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Mark Burrows
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Golden Slumbers
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Heritage Music Press
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SheetMusicPlus
The Flower of Sweet Strabane for Easy Piano
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1266049 Composed by Traditional Cel…
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Easy Piano - Level 1 - Digital Download SKU: A0.1266049 Composed by Traditional Celtic Folk Songs. Arranged by SilverTonalities. Celtic,Folk,Instructional,Irish. Score. 30 pages. SilverTonalities #858786. Published by SilverTonalities (A0.1266049). The Flower of Sweet Strabane for Easy PianoCeltic Mists Series for Novice Pianists by SilverTonalities Featuring the popular âThe Flower of Sweet Strabaneâ and also Including 10 Traditional Irish Folk Songs, with Letter Names Embedded in Noteheads to increase the ability to recognize Musical Pitch and Read Music Quickly and AccuratelyPREVIEW, pages 1-2THE BANSHEEâS CRY, pages 3-4THE BURNT OLD MAN, pages 5-7THE DEAR BLACK COW, pages 8-9EILEEN AROON, pages 10-11LITTLE BENCH OF RUSHES, pages 12-13LUGGELAW, pages 15-16MY HEART IS BREAKING, pages 17-19SHE IS FAR FROM THE LAND, pages 20-21THE FLOWER OF SWEET STRABANE, pages 22-24SLOANâS LAMENTATION, pages 25-26WHEN YOU MEET A PRETTY GIRL, pages 27-28.
$9.99
9.32 €
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Piano Facile
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Traditional Celtic Folk Songs
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SilverTonalities
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The Flower of Sweet Strabane for Easy Piano
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SilverTonalities
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SheetMusicPlus
Pretty When You Cry
Piano, Voix et Guitare
By Lana Del Rey. Pop. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Shee…
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By Lana Del Rey. Pop. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.66 €
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Piano, Voix et Guitare
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Lana Del Rey
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Pretty When You Cry
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Lana Del Rey: Pretty When You Cry - voice, piano or guitar
Piano, Voix et Guitare
Instantly printable sheet music by Lana Del Rey for voice, piano or guitar of MEDIUM skill…
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Instantly printable sheet music by Lana Del Rey for voice, piano or guitar of MEDIUM skill level. / pop
$5.97
5.57 €
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Piano, Voix et Guitare
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Lana Del Rey
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Virtualsheetmusic
I'll Be Home For Christmas
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1317916 By Brian McKnight. By Kim G…
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Piano Solo - Level 3 - Digital Download SKU: A0.1317916 By Brian McKnight. By Kim Gannon and Walter Kent. Arranged by Thomas Gunther. Christmas,Jazz,Latin. Score. 3 pages. Thomas Gunther Music Productions #906608. Published by Thomas Gunther Music Productions (A0.1317916). About my solo piano arrangement of I'll Be Home For ChristmasMy Solo Piano Arrangement of I'll Be Home For Christmas is written in a jazz-latin type style. I wrote it out note for note, and even included fingering and sustain pedal suggestions. I also included jazz chord symbols for those of you that either like to know what harmonies I was thinking, or want to add their own ideas based on those chords. The chords I used are pretty much based on the original harmony. When I started out arranging for solo piano I was especially curious about how to create a latin groove underneath a melody. I studied bossa and samba music as well as cuban music for that. The rumba is a great style to start with. That's also the bases for this arrangement. About the song I'll Be Home For ChristmasI have a very special relationship to this song. I first heard it after moving to the United States from Germany and spending my first Christmas in Chicago. On that Christmas Eve I was all alone for the first time, and when I turned on the radio this song came on. I don't easily cry, bad that was one of those moments when the floodgates just open up. It is such a sentimental song. And the closing lyrics I'll be home for Christmas, if only in my dreams are just so emotional in this context.Enjoy!
$6.99
6.52 €
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Piano seul
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Brian McKnight
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Thomas Gunther
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I'll Be Home For Christmas
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Thomas Gunther Music Productions
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. âIs that you kids?â It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship⦠You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you knowâthem pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For â¦he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.72 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Yuki-Onna (piano solo)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. …
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Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book âKwaidan: Stories and Studies of Strange Thingsâ, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, âI intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.â And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new âhonourable daughter-in-law.â Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: âIt was me, it was me,⦠and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!â As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99
5.59 €
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Piano seul
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Yuki-Onna (piano 4-hands)
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1127872 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. Philip Le Bas #728481. Published by Philip Le Bas (A0.1127872). Incidental music composed for piano duet (4-hands) in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This piano duet developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book âKwaidan: Stories and Studies of Strange Thingsâ, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, âI intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.â And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new âhonourable daughter-in-law.â Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: âIt was me, it was me,⦠and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!â As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99
5.59 €
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1 Piano, 4 mains
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
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